The opening of this film, of a young man cruising in a mall, quickly establishes the setting and decade and set me on edge whether or not I thought this film was going to "do something." The movie is shot on film and in a 4:3 ratio, interspersed with footage recorded on other kinds of film and cameras—the effect is disorienting. From the start, there is a sense of surveillance, communicated through both the main character's eyes—searching for marks, looking in mirrors, matching gazes—and that interspersed footage which *feels* like a recording in a way the "normal" footage of the film doesn't. This looking (between characters and the audience at other clips) quickly is shown to also be a… 原文連結 ↗

Following the murder of two young girls who refused to give their killer oral sex, the authorities decide that this is a reasonable excuse to clamp down on cottaging in the gents toilets of a mall. That’s where officer “Lucas” (Tom Blyth) is put to work. He’s the handsome lure to attract gentlemen into unzipping when they probably wished they hadn’t, before they are led away in handcuffs for prosecution. Then one shift, he encounters the slightly less obvious “Andrew” (Russell Tovey) who doesn’t fall for the trap, and who slightly enthrals the young man. Indeed as the story goes on we realise that “Lucas” has a secret of his own and that what he wants from “Andrew” might fly in the face of… 原文連結 ↗