法蘭茲是一部躁動、稜角分明、試圖從內到外描繪卡夫卡的電影，但只成功了一半。 阿格涅斯卡·霍蘭捨棄安全穩妥的線性傳記片，改以時間線拼貼、對鏡頭直接獨白，以及時而靈光乍現、時而自我沉溺的急速變焦鏡頭交織而成。伊丹·魏斯詮釋的卡夫卡銳利而神經緊繃，在尷尬、好奇與恐懼之間抽搐游移，而每當電影只是靜靜看著他周旋於家人、情人，以及他日後將化為紙上武器的窒息官僚體制時，全片便綻放光芒。 法蘭茲是一部躁動、稜角分明、試圖從內到外描繪卡夫卡的電影，但只成功了一半。阿格涅斯卡·霍蘭捨棄安全穩妥的線性傳記片，改以時間線拼貼……
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Franz is a restless, jagged attempt to film Kafka from the inside out, and it only half succeeds. Agnieszka Holland rejects the safe, linear biopic for a collage of timelines, direct-to-camera addresses, and crash zooms that oscillate between inspired and self-indulgent. Idan Weiss gives a sharply nervy Kafka, twitching between embarrassment, curiosity, and dread, and the film shines whenever it simply watches him navigate family, lovers, and the suffocating bureaucracy he'd later weaponize on the page. Franz is a restless, jagged attempt to film Kafka from the inside out, and it only half succeeds. Agnieszka Holland rejects the safe, linear biopic for a collage of timelines,… 原文連結 ↗
